About the song
“Mockingbird,” a spirited and engaging duet by Carly Simon and James Taylor, is a classic that brings together two of the most iconic singer-songwriters of the 1970s. Released in 1974, this song is a reimagining of the 1963 hit “Mockingbird” by Inez and Charlie Foxx, which itself drew inspiration from the traditional lullaby “Hush, Little Baby.”
The song was featured on Carly Simon’s fourth studio album, “Hotcakes,” which saw considerable success, reaching No. 3 on the Billboard 200 chart. “Mockingbird” was released as a single in 1974 and climbed to No. 5 on the Billboard Hot 100 chart, making it one of Simon’s most successful singles. It also enjoyed popularity in Canada, peaking at No. 3 on the RPM Top Singles chart.
“Mockingbird” showcases the undeniable chemistry between Simon and Taylor, both of whom were at the peak of their careers. The song’s playful call-and-response structure highlights their vocal interplay, creating a dynamic and lively performance. Their voices complement each other perfectly, with Taylor’s smooth and soulful delivery balancing Simon’s clear and expressive tone. This collaboration came during a period when Simon and Taylor were not only frequent musical partners but also married, adding a layer of personal connection to their performance.
The arrangement of “Mockingbird” is vibrant and energetic, featuring a catchy rhythm that draws listeners in from the first notes. The song benefits from a robust production, incorporating horns and backing vocals that enhance its lively feel. The production was handled by Richard Perry, a renowned producer known for his work with other top artists of the era.
Carly Simon and James Taylor’s version of “Mockingbird” pays homage to the original while infusing it with their unique style and charisma. Their rendition has become a staple of classic rock and adult contemporary radio, continuing to captivate audiences with its infectious energy and charm. The song also featured prominently in Simon’s live performances and has been included in various compilations of her greatest hits.
For an older, educated audience, “Mockingbird” offers a delightful blend of nostalgia and musical excellence. It serves as a reminder of the golden era of singer-songwriters, when Carly Simon and James Taylor were among the most influential and beloved figures in the music world. Their interpretation of “Mockingbird” stands as a testament to their talent and their ability to create music that transcends time, appealing to both contemporary listeners and those who have cherished their music for decades.
“Mockingbird” is more than just a cover; it is a vibrant reinterpretation that captures the essence of Simon and Taylor’s musical synergy. Whether revisiting this classic hit or discovering it anew, listeners are sure to appreciate the playful spirit and exceptional artistry that Carly Simon and James Taylor bring to this timeless song.
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Lyrics
Mock- (yeah)
-Ing (yeah)
Bird (yeah)
Yeah (yeah)
Mockingbird now
Hey everybody, have you heard?
He’s gonna buy me a mockingbird
And if that mockingbird won’t sing
He’s gonna buy me a diamond ring
And if that diamond ring won’t shine
He’s gonna surely break this heart of mine
And that’s why I keep on tellin’ everybody
Saying (yeah, yeah) whoa-whoa-whoa-whoa, whoa-oh
Hear me now and understand
He’s gonna find me some piece of mind
And if that piece of mind won’t stay
I’m gonna find myself a better way
And if that better way ain’t so
I’ll ride with the tide and go with the flow
And that’s why (yes, indeed oh) I keep on shoutin’ in your ear
Saying (yeah, yeah) whoa-whoa-whoa-whoa, whoa-oh
Well, now everybody, have you heard?
She’s gonna buy me a mockingbird, yeah
And if that mockingbird don’t sing
She gonna buy me a diamond ring
And if that diamond ring won’t shine
Yes, it surely break this poor heart of mine
And that’s the reason why I keep on tellin’ everybody
Saying (yeah, yeah) no, no, no, no, no, no, no, no
Listen now and understand
She’s gonna find me some piece of mind, yeah
And if that piece of mind won’t stay
I’m gonna get myself a better way
I might rise above, I might go below
Ride with the tide and go with the flow
And that’s the reason why I keep on shouting in your ears, yo
No, no, no, no, no, no, no, no, baby, yeah