David Allan Coe, a name synonymous with outlaw country, unleashed a musical firestorm in 1978 with If That Ain’t Country. This rowdy anthem, the centerpiece of his album Rides Again, became a rallying cry for those who craved a return to country music’s raw authenticity.
Coe, a songwriter known for his unflinching portrayal of life’s underbelly, penned If That Ain’t Country himself. The song is a potent mix of storytelling and social commentary, celebrating the struggles and triumphs of everyday people far removed from the glitz of Nashville. It’s a world filled with hard work, hard living, and an unwavering dedication to one’s roots – a world Coe himself knew intimately.
Produced by Billy Sherrill, a Nashville heavyweight known for his polished productions, If That Ain’t Country is a curious collaboration. Sherrill’s trademark sheen is largely absent, replaced by a rawer, more stripped-down sound that perfectly complements Coe’s gritty vocals and the song’s unvarnished lyrics. The result is a potent blend of musical styles, a honky-tonk stomp punctuated by bluesy flourishes and a touch of outlaw swagger.
If That Ain’t Country wasn’t a mainstream radio hit, but it resonated deeply with a dedicated fanbase. It became an anthem for those yearning for a more authentic country sound, a sound that celebrated the struggles and joys of real life as opposed to idealized fantasies. The song’s defiant spirit and unfiltered lyrics resonated with blue-collar workers, outcasts, and anyone who felt disconnected from the polished world of mainstream country music.
If That Ain’t Country is more than just a song; it’s a statement of artistic purpose. It’s a celebration of the grit, honesty, and unpretentiousness that defined classic country music. As we delve into this rowdy anthem, let’s keep in mind the defiant spirit, the celebration of the working class, and the unwavering commitment to authenticity that make If That Ain’t Country a cornerstone of outlaw country music.
Tam Le